Church of All Saints, Oystermouth, Swansea

formerly in: Glamorgan

Diocese of Swansea & Brecon

Church (Anglican)

Medieval church now forms south aisle of greatly extended building of 1915-6 by L.W. Barnard of Cheltenham, following an earlier enlargement by R.K. Penson. Nave completed 1937. Tower thirteenth century.

view on the National Monuments Record (COFLEIN)

view on the Church Heritage Cymru website

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People associated with this site
   as architect: R. K. Penson
   as architect: Leonard William Barnard


Artworks at this site:

	The Whole Armour of God firm/studio: T. F. Curtis, Ward & Hughes 1920 Church of All Saints, Oystermouth, Swansea north wall of the nave
	The Adoration of the Magi firm/studio: Faith Craft Studio 1951 Church of All Saints, Oystermouth, Swansea chancel
	The Risen Christ with the Virgin Mary, St John the Baptist and Saints firm/studio: Powell & Sons (Whitefriars) Ltd designer: James Hogan artist: A. F. Erridge 1929 Church of All Saints, Oystermouth, Swansea east wall of the chancel
	Religion, Faith, Hope and Charity firm/studio: Joseph Bell & Son about 1863 Church of All Saints, Oystermouth, Swansea south wall of the sanctuary
	The Last Supper firm/studio: Glantawe Studios designer: Tim Lewis 1985 Church of All Saints, Oystermouth, Swansea west end of the north aisle
	Christ Walking on the Waters firm/studio: possibly Joseph Bell & Son late nineteenth century Church of All Saints, Oystermouth, Swansea north aisle
	Christ with Bread and Fish firm/studio: Celtic Studios 1951 Church of All Saints, Oystermouth, Swansea north aisle
	The Presentation in the Temple about 1920 Church of All Saints, Oystermouth, Swansea south wall of the Lady Chapel (south aisle)
	The Archangel Gabriel 1923 Church of All Saints, Oystermouth, Swansea south wall of the Lady Chapel (south aisle)
	The Gifts of the Holy Spirit firm/studio: Ward & Hughes about 1900 Church of All Saints, Oystermouth, Swansea south wall of south aisle

View this site on the Stained Glass in Wales Catalogue

© University of Wales Centre for Advanced Welsh and Celtic Studies, photo Martin Crampin