John the Baptist Recognising Christ
detail from The Annunciation to Zacharias and John the Baptist Recognising Christ

  John the Baptist Recognising Christ    detail from    The Annunciation to Zacharias and John the Baptist Recognising Christ

Photo © Martin Crampin

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1886
Two-light window with two scenes designed across the lights, with their biblical texts underneath them. The upper scene shows Zacharias kneeling in the right-hand light with an angel in the left-hand light. Below, John the Baptist stands preaching to a small crowd, with Christ standing to the right. Agnus Dei above.

technique: stained glass
size: 39 cm (width of each light)
firm/studio: C.E. Kempe

Church of All Saints, Newbridge-on-Wye
south wall of the nave

Text with upper scene: 'The angel said unto him, Fear not, Zacharias: for thy prayer is heard; and thy wife Elisabeth shall bear thee a son, and thou shalt call his name John. And thou shalt have joy and gladness; and many shall rejoice at his birth.' (Luke 1: 13-14). Text with lower scene: 'The next day John seeth Jesus coming unto him, and saith, Behold the Lamb of God, which taketh away the sin of the world. This is he of whom I said, After me cometh a man which is preferred before me: for he was before me.' (John 1:29-30).

The window effectively echoes the adjacent window of the Annunciation to Mary and the Adoration of the Shepherds, as the revealing of the new-born Christ to the shepherds is mirrored by the revealing of Christ as the messiah by John the Baptist to his followers.



 

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The Annunciation to Zacharias and John the Baptist Recognising Christ

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References

Philip Collins, The Corpus of Kempe Stained Glass in the UK and Ireland (Kempe Trust, 2000), p. 333.

Robert Scourfield and Richard Haslam, The Buildings of Wales: Powys (New Haven/London: Yale University Press, 2013), p. 378.




View this object on the Stained Glass in Wales Catalogue


  John the Baptist Recognising Christ    detail from    The Annunciation to Zacharias and John the Baptist Recognising Christ

Photo © Martin Crampin


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