Meurig ap Llywelyn ap Hwlcyn and Marged ferch Ifan Fychan
detail from The Crucifixion with the Virgin Mary and St John

Photo © Martin Crampin larger image

about 1490, restored in about 1850 Three-light window. Christ is depicted on the cross in the centre, with Mary and John in the outer lights. Beneath are depicted King Cadwaladr with donor portraits in the lower outer lights. Christ is depicted arising out of the tomb in the three tracery lights above, with soldiers below. technique: stained glass Church of St Cadwaladr, Llangadwaladr, Anglesey east wall of the chancel The donors depicted are Meurig ap Llywelyn ap Hwlcyn and his wife, Marged ferch Ifan Fychan and Owain ap Meurig and his wife, Elin ferch Robert. The glass has been restored with new glass inserted, in about 1850, to complete the scene. Although the style is very close, the tracery lights are probably nearly all nineteenth century, made to complete the new window lights into which the scene was placed.  (ObjectID=2348 ImageID=6522) Original File Name=Llangadwaladr_MG_2076.jpg

This artwork is indexed under the following main subject(s):
for other works containing these subjects please click on the links.

• Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers 
• Crucified Christ with Mary and John on either side of the cross; Holy Rood  [John 19:25-27]
• St Cadwaladr 

Martin Crampin, Stained Glass from Welsh Churches (Talybont: Y Lolfa, 2014), pp. 35, 51.

Peter Lord, The Visual Culture of Wales: Medieval Vision (Cardiff: University of Wales Press, 2003), p. 224.

Richard Haslam, Julian Orbach and Adam Voelcker, The Buildings of Wales: Gwynedd (New Haven and London: Yale University Press, 2009), p, 178.

Mostyn Lewis, Stained Glass in North Wales up to 1850 (Altrincham: John Sherratt and Son Ltd, 1970), pp. 11, 63-4.

Richard B. White, The Llangadwaladr Glass (2004).

Photo © Martin Crampin