Henry Holiday (1839-1927)

Artist and stained glass designer. Henry George Alexander Holiday entered the Royal Academy Schools at the age of 15 and was soon drawn to the ideas, and the artists, of the Pre-Raphaelite movement. He was influenced by his friend Edward Burne-Jones and shared the socialism of William Morris. His work in stained glass is closely associated with James Powell & Sons, designing windows for the firm from late 1862 until 1890. He also designed windows that were made by Lavers and Barraud and Heaton, Butler and Bayne in the 1860s. Holiday's influence on the work of Powell's had a long-lasting effect on their production through the work of his pupils and assistants into the 1920s.

Despite the success of his work with Powell's, he became intensely critical of the studio system endemic at most stained glass firms, and ended his association with Powell's to establish his own workshop in 1890. From about 1900 he even made his own glass at the workshop. His later work was made at Lowndes & Drury's Glass House in Fulham, and his last windows were executed by E. Liddall Armitage.

Henry Holiday also worked as a painter, illustrator and sculptor, and his broad range of interests led to involvement in the campaign for Irish Home Rule, women's suffrage and dress reform.

Further reading

William Waters, Angels & Icons: Pre-Raphaelite Stained Glass 1850–1870 (Abbots Morton: Serapim Press, 2012), pp. 142–4, 218–19, 254–7, and further references.

Peter Cormack, Arts and Crafts Stained Glass (New Haven and London: Yale University Press, 2015), pp. 11–14 and further references.

William Waters, Damozels and Deities: Pre-Raphaelite Stained Glass 1870–1898 (Abbots Morton: Seraphim, 2017), pp. 168–221, 372–85 and further references.

Dennis Hadley and Joan Hadley, 'Henry Holiday, 1839–1927' The Journal of Stained Glass, vol. xix, no. 1 (1989–90), 48–69.

Peter Cormack, 'Holiday, Henry George Alexander (1839–1927)' (Oxford: Oxford University Press, 2007 (online edition)).

'Obituary: Henry Holiday (1839–1927)' Journal of the British Society of Master Glass-Painters, vol. ii, no. 2 (1927), 105–6.

Henry Holiday, Stained Glass as an Art (London: Macmillan, 1896).

Martin Crampin, Stained Glass from Welsh Churches (Talybont: Y Lolfa, 2014), pp 167-72.

Martin Harrison, Victorian Stained Glass (London: 1980), pp. 44–6, 52–5, 79–80 and further references.

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	Christ with Children Brought by their Mothers and the Raising of Tabitha designer: Henry Holiday firm/studio: James Powell & Sons about 1868 Church of All Saints, St Thomas, Swansea south wall of the south aisle
	Faith, Hope and Charity designer: Henry Holiday firm/studio: James Powell & Sons 1880 Church of St Mary, Betws-y-coed, Conwy north wall of the north aisle
	Jesus is Anointed and Suffer the Little Children Designer: Henry Holiday firm/studio: James Powell & Sons 1882 Church of St Peter, Llandevaud, Newport west wall
	The Adoration of the Magi designer: Henry Holiday firm/studio: James Powell & Sons 1886 Church of St Cynog, Penderyn, Rhondda Cynon Taff east wall of the chancel
	The Presentation in the Temple designer: Henry Holiday firm/studio: James Powell & Sons 1886 Church of St Cynog, Penderyn, Rhondda Cynon Taff south wall of the sanctuary
	Resurrection and Ascension designer: Henry Holiday firm/studio: James Powell & Sons 1888 Church of the Holy Trinity, Ystrad Mynach, Caerphilly east wall of the chancel
	The Presentation in the Temple designer: Henry Holiday firm/studio: James Powell & Sons 1890 Church of St Peter, Pwllheli, Gwynedd south wall of the south aisle (Capel Beuno)
	The Crucifixion artist: Henry Holiday 1901 Church of St Matthew, Buckley, Flintshire east window of the chancel
	Righteousness and Truth artist: Henry Holiday 1901 Church of St Matthew, Buckley, Flintshire north wall of the chancel
	Faith and Love artist: Henry Holiday 1901 Church of St Matthew, Buckley, Flintshire south wall of the chancel

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