Inscription beneath St John the Evangelist
detail from The Crucifixion with the Virgin Mary and St John

  Inscription beneath St John the Evangelist    detail from    The Crucifixion with the Virgin Mary and St John

© University of Wales Centre for Advanced Welsh and Celtic Studies, photo Martin Crampin

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1869, with medieval fragments
Three-light window. Christ on the cross with figures of Mary and John in the left and right-hand lights. Inscriptions in Latin below each figures. The design incorporates reused medieval fragments.

technique: stained glass
size: 31 cm (width of each light)
firm/studio: Saunders & Co.

Church of St Illtud, Mamhilad, Monmouthshire
east wall of the chancel

The reconstruction of the window is attributed to Saunders, although a letter of 1867 to Heaton, Butler & Bayne concerning work at the church may refer to this window.




 

For other views of this work click on the image(s) below:

The Crucifixion with the Virgin Mary and St JohnThe Crucifixion with the Virgin Mary and St JohnThe Crucifixion with the Virgin Mary and St JohnThe Virgin Mary: The Crucifixion with the Virgin Mary and St JohnInscription beneath the Virgin Mary: The Crucifixion with the Virgin Mary and St JohnThe Crucifixion: The Crucifixion with the Virgin Mary and St JohnThe Crucifixion: The Crucifixion with the Virgin Mary and St JohnInscription beneath the Crucifixion: The Crucifixion with the Virgin Mary and St JohnSt John the Evangelist: The Crucifixion with the Virgin Mary and St John

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References

Martin Crampin, Stained Glass from Welsh Churches (Talybont: Y Lolfa, 2014), p. 35.

John Newman, The Buildings of Wales: Gwent/Monmouthshire (London/Cardiff: 2000), p. 378.

Andrew Renton, 'Discovering Pre-1700 Stained Glass in South Wales' Vidimus, vol. 34 (November 2009).




View this object on the Stained Glass in Wales Catalogue


  Inscription beneath St John the Evangelist    detail from    The Crucifixion with the Virgin Mary and St John

© University of Wales Centre for Advanced Welsh and Celtic Studies, photo Martin Crampin


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